Two award-winning New Zealand authors have had their books disqualified from consideration for the nation's prestigious literature prize due to the utilization of artificial intelligence in designing their cover art.
The author's short story collection "Obligate Carnivore" and Elizabeth Smither's novella collection "Angel Train" were submitted for the Ockham 2026 literary prizes and its $65,000 New Zealand dollar fiction award in October, but were ruled out the next month due to new rules regarding AI use.
The publishing house of the two books, the publisher, explained that the awards committee amended the criteria in August, by which point the cover designs for all submitted title would have already been finalized.
“It was, therefore, far too late for any publisher to have taken this clause into account in their design briefs,” the publisher noted.
The author voiced understanding for the award organizers, stating she has serious worries about artificial intelligence in artistic industries, but was disappointed by the ruling.
“It would be untrue to claim I am not upset by this,” she remarked. “It’s my 22nd book, and it is my fourth collection of short stories. These stories … were written over a sort of 20 year period, so for me, it’s quite an important book.”
She added that authors typically have little involvement in cover artwork and was did not know artificial intelligence had been employed for her book cover, which features a feline with human dentition.
“I believed it was an actual cat photo with superimposed teeth, but that was not the case,” the author said, adding that unlike younger generations, she finds it difficult to identify computer-created graphics.
Johnson worried that readers might think she employed AI to write her book, which she emphatically did not do.
“Rather than discussing my book's themes and inspirations, we're focused on this AI issue, which I despise.”
In a comment, Smither said that the artists devoted hours crafting her publication's art, which features a steam train and an celestial figure “half-obscured in the smoke”, inspired by painter the artist's imagery.
“It is them I am most concerned about: that their meticulous work … is being disrespected,” she stated.
Nicola Legat, head of the book awards trust that administers the prizes, affirmed the organization maintains a strong position on the use of artificial intelligence in books.”
“We do not make such a decision lightly, one that bars the newest works by two of New Zealand's most respected authors from the 2026 prize,” Legat stated.
“However, the criteria apply to all entrants, regardless of their mana [status], and must be consistently applied to all.”
The decision to revise the artificial intelligence guidelines was motivated by a desire to protect the creative and copyright interests of the nation's authors and artists, she explained.
“As AI evolves, there may well be a need for the trust to revisit and develop the criteria further.”
Wilson noted that publishers and writers often employ software like Grammarly and image editors, which utilize AI, and this incident highlighted the urgent requirement for carefully crafted guidelines.
“Our industry must collaborate to prevent a recurrence of this scenario.”
Both Elizabeth Smither and Johnson have in the past served as judges for categories of the Ockham awards, and both stressed that cover designs get minimal consideration during judging.
“The contents and the close reading were everything,” the author concluded.
The application of artificial intelligence in creative sectors has faced increasing scrutiny as the technology progresses, with some organizations developing methods to counter its influence.
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